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Alan Bateman

Posted by ken On April - 11 - 2009

FORMER TVW TECHNICIAN who became the SEVEN NETWORK – HEAD OF DRAMA

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Alan Bateman was a technician at TVW during the early years. He can be seen here wiring up technical power points in the TVW maintenance area.

Alan was appointed Technical Director of the 1962 Commonwealth and Empire Games at Perry Lakes Stadium. He later joined the Southampton Southern TV, and on his return to Perth joined the ABC and married former TVW children’s hostess Judy Lee, who by now was a presenter on ABW Channel 2.

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Judy Lee

Alan Bateman moved into the production field, working his way up the ranks to became ABC head of programming, before moving to the Seven Network to take up the post of head of drama.

After letting Neighbours slip through its fingers in 1985, only to see it gain considerable popularity both here on Network Ten and abroad, the Seven Network was determined to get a teen drama of its own off the ground.

The concept for Home and Away was born when Alan Bateman stopped to buy ice-creams in a small country town in Southern NSW and got chatting to some locals, who were unhappy about a home for foster kids from the city being built in their town. Struck by the potential for plenty of storylines and conflict, with city kids being relocated to a different environment, he went off to develop the idea which eventually became Home And Away.

Alan Bateman has been a prolific producer for the Seven Network, Nine Network and the ABC.


Producer:

  • Elly and Jools (1990) (TV) – (executive producer) 9 Network
  • Ring of Scorpio (1990) (TV) – (executive producer) 9 Network
  • Family and Friends (1990) TV series – (executive producer) 9 Network
  • The Rainbow Warrior Conspiracy (1989) (TV) – (executive producer) 7 Network
  • The Flying Doctors – (executive producer) (1 episode, 1989)
  • Point of No Return (1989) TV episode – (executive producer)
  • Home and Away (1988-1990) TV series – (executive producer) 7 Network
  • The Fremantle Conspiracy (1988) (TV) – (executive producer) 7 Network
  • Barracuda (1988) (TV) – (producer) 7 Network… aka The Rocks (USA)
  • Nancy Wake (1987) (TV) – (executive producer) 7 Network… aka True Colors (USA: video box title)
  • Melba (1987) TV mini-series – (executive producer) 7 Network
  • Journey into India (1986) – (co-producer) ABC
  • Journey Into Thailand (1982) – (co-producer) ABC
  • In The Wild (1976-79) – (writer/director/co-producer) ABC… Series of wildlife documentaries, presented by Harry Butler.
  • Peach’s Australia – Darling River (1976) – (executive producer) ABC
  • Peach’s Australia – Flinders Ranges (1976) – (executive producer) ABC
  • In The Public Interest (1973) – (Producers: Alan Bateman, Bruce Buchanan) ABC… Dramatisations of various Royal Commission enquiries.
  • Profiles of Power, HC Coombs (1961) – (producer) ABC


Writer:

  • The Power, the Passion (1989) TV series – (creator)
  • Home and Away (1988) TV series – (unknown episodes)

Alan and Judy’s daughter, Anna Bateman is now an executive producer with the ABC, responsible for such projects as The Pet Show, Saving Andrew Mallard, Young Performers Awards 2008 and Can We Help, before moving to Melbourne with her son, to take the reins of Aunty’s national Sunday Arts show, hosted by Michael Veitch.

Greg Byrne

Posted by ken On April - 11 - 2009
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Gregory Byrne was part of TVW’s successful management team, being with the company for 32 years

Greg commenced just after the station opened and was there from May 1960 until July 1992.

For most of the time he was Sales Manager, and then in the top role of Managing Director from 1988 to 1992, before retiring.

One little known aspect, is that Jim Cruthers referred to Greg as “Fat Cat’s Dad !”

Greg and his wife Judith created Fat Cat. Judith made the concept drawing of a large head, which was cast in fibre glass in the workshop, and which soon became the lovable children’s show mascot.

Prior to their wedding on January 13, 1968, which was featured on the front page of the Weekend News on that day, Judy Oxer was a freestyle champion who held every title in W.A. 100, 200, 400 and 800. She swam in the era of Dawn Fraser and was selected for Commonwealth and Olympic teams, but due to budget restrictions they took swimmers in those days who could double up on backstroke or breast stroke.

Since Greg’s retirement from the television industry, they now live at Cowaramup which is between Busselton and Margaret River, and tend a 75 acre property with a vineyard, Avocados and Macadamias.

The following charts Greg’s career with TVW and places into perspective a number of organisational changes which took place…

▪ Joined TVW May 2,1960, age 22 as one of two Local Sales Representatives employed to develop the local market and sell television  advertising to local clients

▪ Appointed Manager of TVW’s Sydney Office in 1961 – age 23 years

▪ Returned to Perth for personal reasons in 1963 (brother had an accident and became a quadriplegic)

▪ Appointed Senior Sales Representative 1964

▪ Appointed Assistant Sales Manager 1965

▪ Appointed Sales Manager 1968 with responsibilities for National and Local Sales 

▪ In 1972 Appointed Group General Sales Manager for TVW-7, SAS-10, 6IX and Group Color

▪ Greg and his wife Judith developed a new children’s character for the station and called it FAT CAT- They received $100 dollars from Jim Cruthers for creating the character !

FAT CAT went on to become a National character in a Television Series – Fat Cat’s Funtime Show 

The character is still just as popular today as ever.

▪ 1974 Appointed a Director of the new Channel 7 – Edgley Entertainment Centre 

▪ 1976 asked to assist Radio Station 6IX to rectify Operational and Management problems as well as his other duties with TVW 7 

1982 – Perth based businessman Robert Holmes à Courtʼs Bell Group acquired Perth television station TVW-7 (and SAS in Adelaide) 

▪ 1982 seconded by Robert Holmes à Court to the Western Mail to help establish the Advertising Department

▪ 1983 returned to TVW to resume duties as General Sales Manager

1987 – Bell took ownership of The West Australian, Perth’s main daily newspaper.  Alan Bond took a controlling stake in Holmes à Court’s Bell Group and cash-rich Bell Resources. Christopher Skaseʼs Qintex group purchases the east coast Seven from Fairfax for $780m and expanded it’s Seven network by buying TVW-7 Perth from Alan Bond’s Bell Group for $130m.  

▪ 1987 TVW was sold to the Christopher Skase Quintex Group, and Greg was appointed the Perth Sales Director as the network took over National Sales

▪ 1988 Greg took over from Kevin Campbell as Managing Director of TVW Enterprises – Kevin moved to the Seven Network in the East- TVW had a staff of 250 people !

During this time Greg moved the Christmas Pageant to a night time parade with the floats lit up with lights and the crowds trebled

Greg was able to win the rights to telecast LOTTO on TVW7 – it had been on STW and was the reason STW used to win the Saturday night ratings

▪ Greg became a Telethon Trustee

1989 – The Qintex group collapsed

1991 – Qintexʼs broadcasting assets were buddled together and turned into the discrete company, the Seven Network.

▪ 1992 Greg retired after 32 years with TVW ( Kevin Campbell had moved back to Perth from the Eastern States )

Bill McKenzie

Posted by ken On April - 11 - 2009

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Bill McKenzie filled many key executive rolls at TVW and later become the first Managing Director of NEW-10 in Perth.

▪1956-1959 Employed by ANZ Bank Perth.

▪1959-1963 Joined TVW June 1959 and worked in Traffic, Programs & Publicity.

▪1963 Sydney Sales Manager TVW7

▪1964-1968 Film Manager TVW7

▪1968-1974 Assistant Station Manager TVW7

▪1974-1977 General Manager SAS 10 Adelaide

▪1978-1982 Group General Manager TVW Enterprises Ltd.

▪1982-1986 Managing Director ATV 10 Melbourne

▪1986-1987 Chief Executive Network 10.

▪1988-1995 Managing Director NEW 10

▪1995-2000 Vice President and MD The Disney Channel Australia

Bill also sat on a number of boards and has the distinction of managing 5 television stations and running a network for Rupert Murdoch.

Video Editing

Posted by ken On April - 9 - 2009

How technology has changed… In the early 1960’s, videotape cut editing was common for major program productions, such as Homicide. Often the master tapes were distributed, and one could hear and see the splices pass through the video headwheel assembly of the quadraplex machines during broadcast. The technique was used by TVW too, though there was a great reluctance to cut the expensive 2 inch wide tapes. The best of the reject tapes were then used instead. Tapes that were exhibiting a high number of picture dropout, resulting from microscopic damage to the tape surface. The development of dropout compensators fixed that problem. They would insert the previous line, when a flawed line of vision was detected. The result was dramatic, and could be demonstrated by scratching the tape lengthways, to then find it restored to near perfect by the clever device. The photos displayed here show the Smith Editor that was used to edit highlights for World of Football, which was broadcast each Sunday from midday during the football season.

Another early TVW innovation was the use of two videotape machines to create a program delay for the weekly live telephone talkback program. The concept was devised over a casual meeting at morning tea in the canteen, between Max Bostock, Richard Ashton and Ken McKay. The two valve driven RCA TRT-IB videotape machine were used for this purpose for many years, with the configuration being slightly modified by the introduction of the newer transistorized RCA TR-3 playback only unit, as shown in the photo below. One machine would record, with the tape laced across to the other machine for replay.

Videotape cut editing was superseded by electronic editing, which then underwent various stages of sophistication.

Nowdays, both film and videotape are being replaced by new recording medium. Computer hard drive technology provides a cost effective means of storing vast quantities of program data in a high definition digital form, where computer software, such as Final Cut Pro, can manipulate content with a bewildering array of effects and ease of operation. One trained person can juggle a myriad of different items with relative ease, whilst also manipulating video and audio levels, and able to add titles, chroma key, fades, and all manner of sound and vision transitions without any deterioration in quality.

TVW’S first videotape machine the RCA TRT-1B

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TRT-1B Operator: Ken McKay



Smith VTR Editor – Operator: Ken McKay


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Smith two inch videotape cut editor in the early 1960’s. Cut editing was the only technique before the introduction of electronic editing.



Smith Editor – 2008


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The same editing device that TVW first used to edit the 1962 Commonweath and Empire Games when Tim Ball, Ernie Taylor and Colin Gorey were the operators. Engineer Geoff Mortlock also worked with videotape at that time.



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The power cord supplied electricity to a small lamp used to illuminate the cutting area, to insure that the edit pulses could be seen and aligned accurately before the cut.



Smith Editor – 2008


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Sad to find it rusting.



1960’s Videotape Department at TVW


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Two RCA TRT-IB’s side by side in the 1960’s.

The mainly value driven, low-band quadraplex machines consisted of five racks of equipment each. Three racks mounted together with operational controls, plus two extra racks of servers and power amplifiers for capstan and headwheel, located to the side… for each machine.



Videotape delay


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Two machine configuration for telephone talkback program delay to facilitate censoring in the event of inappropriate phone calls.


Videotape Cut Editing Collection

Shane Nugent Videotape Operations 1974-2004

Posted by ken On April - 8 - 2009

Shane Nugent worked in the TVW videotape area from 1974 to 2004, during which time Channel 7 made the transition to colour. Videotape equipment evolved considerably during this period from quadraplex two inch low-band black and white reel to reel, to two inch high-band colour reel to reel and cassette machines. The technology also improved from manual intensive operation to automatic loading with manual assist, to cassette facilities under automatic operation. The next evolutionary stage for reel to reel was the move to one inch helicon scan equipment that alleviated much of the complexity with having four heads passing over the tape at a 90 degree angle.

Photos kindly provided by Shane Nugent

1976 Videotape Area

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Front – Shane Nugent, Rear – Ray Furness

1993 BCN 1” Videotape for time shifting satellite program for local broadcast

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1994 Hopman Cup

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Left to Right – Phil Holder, Dave Embry, Lisa Fillingham, Adrian Faure

1994 Videotape Telecine

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Amanda Gasic (VT Operator), Shane Nugent (VT Supervisor), Brendon Weselman (Traffic Manager)

1994-95 Videotape Telecine

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Left to Right – Shane Nugent, Charlie Collins, Lisa Fillingham, Scott Sloggett, Simon Hubbard

1995 ACR-25 2” Ampex Videocartridge Machine

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Lisa Fillingham

1997 Staff in Videotape Area

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Left to Right – Justin Claney, Mia Medizza (Deceased), Nathan Habbard

Shane Nugent Photo Collection

Shane Nugent Collection

Posted by ken On April - 8 - 2009

Shane Nugent worked in the TVW videotape area from 1974 to 2004, during which time Channel 7 made the transition to colour.

Videotape equipment evolved considerably during this period from quadraplex two inch low-band black and white reel to reel, to two inch high-band colour reel to reel and cassette machines, which were then followed by one inch helicon scan facilities.

The photos kindly provided by Shane show a number of the staff who worked in the videotape and telecine area.

1976 – Videotape Area photo shows Shane Nugent and Ray Furness.

1994 – Hopman Cup shows Phil Holder, Dave Embry, Lisa Fillingham, Adrian Faure.

1994 – Videotape Telecine photo shows Amanda Gasic,  Shane Nugent (VT Supervisor) and Brendon Weselman (Traffic Manager).

1994-95 – Videotape Telecine photo shows Shane Nugent, Charlie Collins, Lisa Fillingham, Scott Sloggett and Simon Hubbard.

1995 – ACR-25 2”  Ampex Videocartridge Machine photo shows Lisa Fillingham.

Brian Treasure Tribute

Posted by ken On April - 7 - 2009

Brian Treasure died in 1992. The following obituary was published across the Community Newspapers. It was written by Darcy Farrell, who, at the time, was an editor with the Community group.

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Page 6 – News Chronicle August 26, 1992

When Brian Treasure was in hospital, his mind was as electric as ever. He was questioning things, the same as he did at the height of his powers in the 1960s and 1970s. “Can’t understand why that programme is on,” he growled as he flicked the remote control on his TV set. His body might have been wracked, but his mind was sparkling. He was quick, alert, observant, firing like the BT of old.

On Wednesday, Brian went home to Cottesloe, five months after becoming Perth’s first liver transplant patient. The operation was successful, but there were serious complications. He died with his family around him.

So ended the career of the most-talked-about personality Western Australian television has produced. BT was a big thinker… uncompromising, brilliant, difficult, dominating. He was a man of amazing contradictions. He could be as hard as nails yet as soft as a kitten. At his business peak, he could meet almost anyone head-on and crush them. Few could win the war of wills with this extraordinary man. BT was an awesome presence.

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In the helter-skelter of the early years of television, BT barked off orders like a machine-gun chattering on the battlefield. He was TVW’s man for all seasons. He was the general sales manager who was ultimately to become the joint managing director. He wasn’t a television producer, but he learnt enough about it to take charge of production. He had an uncanny ability, and a pragmatism, to take the right action at the right time. He was a trouble shooter.

Some 33 years prior, almost to the day, television came to W.A. Brian Treasure, then 30, was to become synonymous with the industry. Perth was like a big country town, but out north at Tuart Hill there was a hothouse of activity. TVW 7 was an incubator of imagination and frenetic action. This was the birthplace of West Australian television.

Brian Treasure was destined to combine with then general manager Jim Cruthers in a formidable team which was to influence television not just in Perth, but across Australia. As personalities they were opposites, almost poles apart. Together they set standards which have never been equalled in the WA electronic media.

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Sir James Cruthers
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Brian Treasure

Television brought a new excitement. People didn’t understand cathode ray tubes, but seeing was believing. They would clamour into the city to cluster around retailers’ shops just to see television. These were the days when stores owned by Bill Lucas, Bill Cobb and Rowley Goonan were stacked high with TV sets. Viewers could just about describe every frame of their favourite shows like Leave it o Beaver, the Mickey Mouse Club, Gunsmoke and Father Knows Best.

Treasure was the son of a Gallipoli veteran, a Bayswater boy who didn’t make it through high school. As a teenager towards the end of the war, he was in the navy. He excelled in badminton, squash, tennis and cricket.

Treasure made rapid progress at WA Newspapers, which he joined in 1949. He became assistant advertising manager of the Weekend Mail, where Cruthers was editor. Cruthers successfully led the application for Perth’s first television company and then, with a close-knit group, set about establishing TVW. Treasure was one of the first picked. From then on, he and Cruthers weaved their magic. They scoured the world for programmes, secured the services of Rolf Harris and scored many a coup.

Treasure was a brilliant negotiator and gained an industry-wide reputation for his ability to out-manouevre some of the best programme sellers in the world. This is where his indomitable, demanding and never-say-die attitude was at its best. When most programme managers were in awe in the presence of the Hollywood and New York “jungle fighters”, BT beat them in the war of attrition and cut them back to size. He was a clear-thinker who left no doubt as to where he stood. He coaxed the BBC into giving TVW rights for the FA Cup final, long before the ABC or other Australian commercial networks even sniffed at the idea. He got TVW into professional golf.

One year, BT sent TVW’s outside broadcast unit to Melbourne to cover the last Sheffield Shield match of the season. WA wasn’t playing, but our shield chances hinged on the result. Our viewers watched an exclusive coverage as a tense struggle developed between Victoria and South Australia. Treasure’s love of cricket also gave him a significant role in the plans to get Perth’s first test match. To his office came many celebrities, ranging from Australian captain Richie Benaud to David Frost, Graham Kennedy to Eartha Kitt.

TVW had a huge following and led the ratings for 16 years before Channel 9 got within striking distance. In a bid to break the stranglehold, Nine went for a new image. It called itself Big Chief Channel 9. Treasure blew this concept out of the water. He had WA’s finest cartoonist Paul Rigby draw a cartoon depicting lots of red indians being routed by Channel 7 troopers. Even the people at Nine had a laugh. The caption read: “How the West was won”.

Cruthers and Treasure were both family men and family entertainment was the yardstick by which the station could be judged. Although everything being beamed out on the airwaves was precision plus, inside the executive suite not all was well. There was growing disenchantment between the leaders.

When Treasure went to the Channel 7-Edgley Entertainment Centre, another brilliant initiative, the gulf between he and Jim Cruthers widened. BT was now the entrepreneur. He convinced the Walt Disney organisation to bring Disney on Parade to Perth. It was the first of many great arena shows Treasure obtained for Perth. But the job was taking its toll. He produced a show based on the American follies. It did all right but not enough.

Eventually, TV’s durable and dynamic partnership came to an end. Cruthers, already chairman, saw TVW Enterprises to many more major successes. He was knighted for his services to television and became Rupert Murdoch’s right-hand man in New York. Treasure went back to his home in Tuart Hill to contemplate his future. Like many outstanding man before him, he was to go through a bleak streak. BT still had the skills, but he couldn’t get the runs on the board.

He marked time with a toy shop opposite the Entertainment Centre at which he had done so much. His move into World Series Cricket foundered, But his indestructible spirit couldn’t be kept down. His big comeback was his application for FM radio in this state. With the financial help of Kerry Stokes, Jack Bendat and his old friend Michael Edgley he set up 96FM. “All I now know I owe to Brian,” Jack Bendat said recently. With Kerry Stokes, BT went on to head up the successful application for Channel 10.

To capture what Brian Treasure has done is almost too hard. It is suffice to say that all who worked with him will never forget him. To witness a verbal clash between the oft-volatile, but affable, matinee idol Lloyd Lawson and BT, nostrils steaming, ready for the fight, was like watching the Thriller in Manila (to coin a line from Muhammad Ali). To witness the uncomplicated BT trying to cope with the irascible TV presenter Garry Meadows, who had failed to show up for the News, also was memorable. To see him make the American programme men squirm (including a Rhodes Scholar who became president of Disney) was awesome.

Brian Treasure did it his way. He strode the media stage with overpowering influence. He was objectionable and loving, strong and kind. We agreed and disagreed, argued and laughed and disagreed some more. Brian Treasure added spice to all our lives. In the end, there is a great loss to those who knew Brian Sydney (Harbour Bridge) Treasure.

Dianne and Barry Hodge

Posted by ken On April - 5 - 2009

One of many couples to meet at Channel 7 were Dianne Chappell and Barry Hodge. Dianne was a pioneer in a number of ways, being one of the first two young women to be employed as technical operators at TVW. The first women to enter what was then a man’s domain at the studios in Tuart Hill. Dianne and Jill Whiteland both commenced working in telecine at the age of sixteen. Jill was only to work there for a short time whilst Dianne gained considerable experience in many fields. Starting in telecine, where she operated 16mm film and slide projectors and the massive caption scanner which housed the station clock, the crawl for program credits and two carousels of caption card, that contained artwork for either program or advertising content.

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It was not long before Di tried her hand successfully at videotape operations. Driving a videotape machine was no easy task in the 1960’s. There was no automatic facilities so each machine had to be aligned, adjusted and tweaked for each program or commercial tape that was played. Added to that, the 5,400 and 7,600 feet reels of two inch videotape were not light to lift, which contained either 60 minutes or 90 minutes of program. Di was game to tackle any task, and in due course excelled at them. Operations those days were fraught with errors because of the complexity of presentation, so a conscientious and reliable operator was most valued, as Di proved many times to be.

Dianne also ventured into the field of audio operations, running the mixing consoles that coordinated the sound content and controlled the audio levels. This too required considerable skill negotiating the myriad of sound sources that made up a days television presentation, or a live program involving many microphones.


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Dianne Hodge (nee Chappell) at the controls of TVW’s Studio Two Audio Mixing Unit

Soon Barry Hodge, a handsome and tall dark haired young man would join TVW, and the young attractive blonde and he soon became a couple, and later married. Barry was both an operator and a technician, who at times performed the same tasks as Di and as required, maintained the equipment to keep it in good running order.

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Barry Hodge at the controls of Telecine

TVW underwent a massive expansion in 1968, relocating all the technical and operational facilities in a new purpose built building, to house the recently purchased colour telecine chain and videotape, in preparation for the arrival of colour television in 1975. By that stage, Barry was working in the new semi automated Master Control area.

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Barry Hodge tweaks a vectorscope in the new Master Control Area.

Barry also pocessed a passion for social justice and soon became involved in the union movement. This soon extended into politics, where Barry was elected the Member of the Legislative Assembly for Melville. Next Barry became the Shadow Minister for Health, to then hold that portfolio when the Labor government gained power in Western Australia in 1983. Barry was appointed the Minister for the Environment in the second ministry of 1986, and among many things, fought for the conservation of our old growth Karri and Marri forests. Barry continued to serve his constituents until 1989.

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Barry and Dianne Hodge – 2009

In 2009, Dianne advised that they have two children, “A son who is a lawyer, married with two boys (3 and 16 months) and a daughter who is in public relations and journalism – she too is married and has one son (21 months) – so that makes 3 little grandsons for us…. they are of course a sheer delight. Barry has retired and is currently studying law at Murdoch Uni, I work part time at PMH in admin. Oh, yea – we (Barry and I) are also about to celebrate our 40th wedding anniversary – in June.”

Lloyd Lawson Tribute

Posted by ken On April - 4 - 2009

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Lloyd Lawson

Lloyd Lawson was born in Kalgoorlie on 18th of October 1922, and died in Perth on 19th of November 2004.


Lloyd was the oldest of three children of Doris and George Lawson, who had a drapery shop in Corrigin (years later an STW workmate, Publicity & Programs Manager June Holmes, pointed out that she was born in Corrigin and her mother knew Lloyd and his parents quite well).

Owing to a sinus condition, Lloyd was sent down to Perth to live with his grandparents and attend the Perth Boy’s School.


Lloyd’s broadcasting career started at Radio 6PM at the age of 17, as a cadet announcer and junior salesman. After World War II, Lloyd joined 6KY as a night announcer, then in 1948 became Manager of 6KG in Kalgoorlie, and three years later married his secretary Laurel Baker, who was also a night announcer.


Lloyd and Laurel moved to Melbourne and radio station 3UZ in 1956 where he became assistant to the manager. Laurel was also employed as a typist and relief announcer.


In an interview with Peter Harries, Lloyd related the story of being appointed TVW Programme Manager, where on Boxing Day 1958, TVW’s Chief Engineer Graham Davey knocked on Lloyd’s front door and asked if he was interested in flying back to meet the TVW Board of Directors, who in turn selected Lloyd for the position.


On returning to Melbourne, Lloyd handed in his resignation at 3UZ and embarked on a television production techniques course with another Perth local, Richard Ashton, at the Royal Melbourne Institute of Technology. Lloyd was instrumental in Richard gaining employment at TVW, by alerting him to Jim Cruther’s presence in Melbourne. Lloyd embarked on a fact finding mission, watching ‘behind-the-scenes’ of the ‘Graham Kennedy Show’ at GTV9 and the ‘Bert Newton Show’ at HSV7 in Melbourne and visited stations in Sydney. Coralie Condon was in Sydney at the time finding the going difficult, not having the vast range of contacts she enjoyed in Perth. Whilst there she got a telegram to meet with Lloyd Lawson, and during her meeting she thought “there’s no place like home”, so Coralie returned to Perth and agreed to work for TVW.


Lloyd returned to Perth in June 1959, and within a week of Coralie returning to Perth, both were in Newspaper House busily auditioning on-air presenters with Beverly Gledhill in late July. By the last week of August, Richard Ashton had returned to Perth too.


On Monday August 31st, the test transmissions were advertised for the first time, featuring the TVW test pattern being broadcast at full signal strength. By now Richard Ashton was assisting Phil Salinger at the transmitter. Full power trade transmissions commenced on September 4th, with the first trade transmissions emanated from the studios on the evening of September 17th.


About two weeks before the station opened, Lloyd was to make a brief unscheduled announcement to conclude the trade transmissions and introduce a film taken only hours before, but there was a hitch which caused a 20 minute delay, leaving Lloyd to ad lib frantically whilst the floor manager made time stretching gestures. As a result, Lloyd became the first person to represent TVW in a live on camera situation, before the official opening on Friday, October 16th, 1959.


This is how Lloyd Lawson related the event to Peter Harries…

“Oh! After we’d been doing these trade transmissions and of course the reason they had the trade transmissions was that nobody had ever seen a bloomin’ television programme so how did they sell television sets? So we got permission to go on the air for a certain number of days – hours, I can’t remember now, only a few hours, late afternoon and early evening. So we went around, we went to the Education Department, and we went to B.P., and Shell and whatever and anybody that had travelogues and we borrowed them, their 16mm stuff. So we were showing film after film after film, where-ever we could lay our hands to it, then all of a sudden Jim Cruthers, has; (we had to close down a week before, we had to do final adjustments at the transmitter) Jim Cruthers suddenly said, ‘I’m going to send a camera around and take pictures of people sitting in front of Boans and all these shops that were showing television programmes, take pictures of everyone sitting there with their arm-chairs and their Thermos-flasks and their rugs, and if there’s any house that looks like it’s got, or they could find out that people had televisions already installed, knock on the door, poke the camera inside, take pictures and race it back to the studio, because this was all on 16mm, process it and put it to air and bring up a ‘live’ camera for the very first time in Western Australia. So because I’d had radio experience and the other thing was, going down our staff, Jim came from newspapers, Treasure from newspapers, Frank Moss was an accountant, um, David Watson and Graham were the only ones who’d had any television experience. Film manager Bob Pennell came from Queensland. Darcy Farrell was news, so I was about the only bloke that had any radio experience so Cruthers said, ‘We’re going to put you up on camera, just for a few minutes,’ he could see I was panic-stricken, he said, ‘just for a few minutes,’ he said, ‘to say “Right! We’ve come to the end of trade transmissions, we’re going to open up in a week’s time, just to show you what’s going on in Perth, here’s a film which we shot a few hours ago and we’ll see you in a week’s time and goodnight!’ Well, I got to the bit where we were going to show the film and for the first time in Western Australia somebody got the ‘stretch’ sign and this bloody ‘stretch’ sign went on for twenty minutes. Well, I was in flap! What are we going to talk about? So we talked about the studio, we shot, the camera looked up and showed the ‘grid’ and all the rest of it. We opened the studio door and showed them the corridors down there and all the rest of it. Coralie, about half way through happened to stick her head in the studio door and I dragged her in and we talked about what was going to happen on opening night and after about twenty minutes came the ‘wind-up’ so with great relief we wound up, or I wound up and we showed the film and so we closed down. So I became the first bloke with his face on television.”


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Lloyd Lawson and Coralie Condon at TVW


Following the disastrous Dwellingup fires of 1961, Lloyd suggested that TVW support the Lord Mayor’s distress fund by using the reach and persuasion of television to appeal for donations from the viewing public. He emphasized the goodwill that could be achieved in pursuing this course of action. This was TVW’s first venture using it’s considerable influence for charitable purposes… a trend which continues to this day with Telethon… an institution Lloyd was to support in later years.


Lloyd juggled many hats in the early days, being the Programme Manager, an on-air personality and even tried his hand at presentation coordination and program directing. Lloyd would direct Rolf Harris’s “Relax With Rolf” on Monday nights, which was produced by Rolf and Coralie. He directed “Oriental Cavalcade” which featured the Rudas Damcers and a cast of twelve different acts. For a while he directed “Teen Beat”. In 1960, Lloyd did three or four “Sunday Night With Bobby Limb” programs, when he came across from the east with a cast of twenty-six. The shows were produced by Bobby Limb. Lloyd was also involved in a number of O.B’s including Bob Menzies election campaigning where on this occasion a bloke yelled out ‘I wouldn’t vote for you if you were the Archangel Gabriel!’ and Bob came back and said, ‘If I was the Archangel Gabriel you wouldn’t be in my electorate!’


Lloyd was the regular on-air front man for TVW on special occasions, and sometimes for all occassions, as he pointed out to Peter Harries…

“Oh! On the days that you were doing the Today you’d be there in the morning to do rehearsals and so-forth, but the worst day I ever had – the longest day – I did the Today programme and we finished the programme and I went straight up and pushed the buttons for The Mickey Mouse Club with Children’s Channel Seven and that always used to finish with a graphic on the floor of the Mickey Mouse insignia and as the camera moved in and got a close-up, they rolled telecine and matched up with the opening of the thing. I left the booth and I went to News to rehearse some of the 16mm film that we were going to do voice-overs, I read the News, I finished the News, and it was my job to do the Booth shift for the night. Now that’s the worst day, the worst ever!”


Lloyd often presented the News and Weather… and in those days he had to draw his own weather board. He also hosted the ‘Today’ show, which ran from the 14th of March 1960 to 9th of November 1965. Lloyd’s on-air team included Audrey Barnaby, David Farr and Gary Carvolth. They were later joined by Carolyn Noble. The series finished with O.B’s from the Floreat Forum and Victoria Park.


Gordon McColl was most impressed by Lloyd’s self control when events were going wrong during a live program. Reserving his annoyance for after the audience left. Gordon says Lloyd had good relations with the crew, and was good humoured, though at times it was hard to tell when he was being ‘fair dinkum’ or facetious.


Lloyd conveyed the following anecdote to Peter Harries…

“And there’s a classic story told about Gary Carvolth. I was doing the ‘Today’ programme and the home-base, the desk was up against a wall with a window with a photograph of Perth, so that everybody thought you could see Perth from the studio and we were half way through the programme when unbeknownst to the floor-manager or me or anybody else, Carvolth had come in through all the props and suddenly stuck his head in through this window and interrupted whatever I was doing at the home base. And, we had a bit of a by-play and he told a joke. Now the joke was this. This little girl always sucked her thumb and her mother said to her, ‘If you keep sucking your thumb you’re going to blow up and burst!’ and the next day the kid and her mother are on a bus and there’s a pregnant woman sitting on the other seat and this kid looks at the woman and says, ‘I know what you’ve been up to!’ and that was the joke. All hell broke loose! There happened to be a pregnant woman in the studio! Treasure took us – Brian Williams, Carvolth and myself out into what was then the car-park – it’s now covered up by a studio and he had us up against a brick wall. We looked like we were going to be shot at dawn! And I remember distinctly, he said first of all to Carvolth, ‘You’re too bloody stupid to know what you’ve done anyway! So we’re going to ignore you! Then he said to us, to Brian Williams and me, he said, ‘If this happens again you’ll both be looking for jobs!’” “And somewhere I’ve got a memo he sent me and I was always going to show it to him before he died and it said, ‘In future any ad-libs that you anticipate using during the show have to be approved before we go to air!’ “


Lloyd Lawson moved to STW in 1966, where he read the news and presented a woman’s program called ‘Roundabout’. Audrey Barnaby joined Lloyd on the program at the beginning of 1966, co-hosting with Veronica Overton.

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Jeff Newman and Lloyd Lawson at STW

Lloyd became a household name and Western Australia’s first television star, owing to the reaction of viewers at that time. He was recognised for his rich, resonant and eloquent voice and people treated his personal appearances as significant events.

In 1974, Lloyd left to undertake a number of jobs outside TV. In 1991 he received the Order of Australia for services to the aged.


Lloyd, who was a teetotaler, became very involved with the Wesley Church in Perth, and was appointed a lay preacher and marriage celebrant. Officiating at the funeral of Audrey Barnaby’s late husband Geoff Long in 1999.

Lloyd was also the Master of Ceremonies at the wedding of Sarra Jane Gill, the daughter of Channel 7 personalities Bill Gill and Janet Prance.


Lloyd Lawson, who died after three years of illness, was survived by his wife Laurel, their daughters Alexandra and Robyn, and families. Laurel has now since passed away.

Now and Then

Posted by ken On March - 29 - 2009

Personalities from the past created a television heritage well worth documenting for references by present day students and researchers of the future.